smartsniom.blogg.se - The metropolitan opera house lincoln center

Architecture historians describe the competing visions for the design of the complex, and the movie doesn’t ignore the displacement that came with what Robert Moses called “the scythe of progress.” Former West Side residents share stories of having to leave their homes. The meatiest material concerns the building of Lincoln Center. To its credit, “The Opera House,” directed by Susan Froemke, only sometimes plays like a fund-raising tool. Given that Peter Gelb, the general manager of the Met, is one of the producers, and that the movie is opening at the Film Society of Lincoln Center, the Met’s across-the-plaza neighbor, it should probably be taken as a partisan history.

To manage cross-departmental communication for outreach events and audience development initiatives involving the Production, Marketing, and Artistic departments.The documentary “The Opera House” celebrates the history of the Metropolitan Opera - in particular, the construction of the organization’s current Lincoln Center home, which had its 50th anniversary in 2016.

Coordination of Met backstage tours in liaison with the Guild, Lincoln Center and the Met’s Development team.

Coordination of front-of-house program for public access during non-performance hours.

Coordination of open dress rehearsals, coordinating logistics with multiple departments, including Education, as well as the Metropolitan Opera Guild.To plan, budget, and produce the annual Summer HD Festival on the Lincoln Center Plaza (August).To plan, budget, and produce the annual Summer Recital Series in NYC parks (June/July).To manage the Met’s internal team who produce the audience engagement and outreach program, including members of the Marketing, Editorial, Education, and DEI teams, plus outside consultants.To produce a series of talks in consultation with the Met’s Marketing and Development teams, including season previews, new production talks and Under 40s events.To conceptualize and produce the Met’s public programming both at Lincoln Center and with outside venues (e.g., Guggenheim Museum, Schomburg Center for Research in Black Culture, New York Public Library, Brooklyn Library, Lincoln Center, etc.), collaborating with external partners on programs related to the Met’s mainstage operas and offerings.To deliver an annual schedule of public programming that supports the Met’s audience development and DEI goals, including growing and diversifying the audience for opera.